Showing posts with label regina spektor. Show all posts
Showing posts with label regina spektor. Show all posts

Sunday, October 12, 2008

you are my sweetest downfall

keep art alive; art by joshua petker
samson (video) ~ regina spektor
samson ~ regina spektor

five minutes in and i feel the collision of desire and death; that cling to you sticky sense that it all leads to an ending of a beginning. all those tucked away reckless notions of self-destruction they peek their dyed heads out to whisper at you; fabricating the realm of fuckwits and faerie tales. want a piece of dark chocolate to go with your next beautiful mistep in judgement? tripping and falling with daisy chains wrapped about each ankle; you pull me along into a trance of indecision. die on the vine, and coerce my skin to wake up. again.

Sunday, August 31, 2008

will you feel better

better (radio cut, alternate video) ~ regina spektor
better ~ regina spektor

"born like sisters to this world,
in a town where blood ties are only blood.
if you never say your name out loud to anyone,
they can never ever call you by it.

if i kiss you where it's sore,
if i kiss you where it's sore,
will you feel better, better, better?
will you feel anything at all?"

i adore regina. her songs are made of that stuff that lies between the dark and the sweet, the heartbreaking and the falling in love, the optimism and the jaded. she sings like she's lived in this world as a real girl, with skinned knees and a hopeful heart. her songs are the kind that i want to play over and over again, sing-a-long loudly to, and slip into music mixes that i make for people.

doesn't it make you feel better?

Tuesday, August 19, 2008

things that i never said

"you could have just propped me up on the table like a mannequin,
or a cardboard stand-up and paint me (paint me),
any face that you wanted me,
to be seen.

we're damned by the existential moment where,
we saw the couple in the coma,
and it was,
we were the cliche,
but we carried on anyway.

so, sure, i could just close my eyes.
yeah, sure, trace and memorize,
but can you go back once you know?

(you don't know me)
you don't know me at all
(you don't know me)
you don't know me at all
(at all)."

Monday, August 4, 2008

this is how it works



"this is how it works,
you're young until you're not,
you love until you don't,
you try until you can't,
you laugh until you cry,
you cry until you laugh,
and everyone must breathe,
until their dying breath.

no, this is how it works,
You peer inside yourself,
you take the things you like,
and try to love the things you took,
and then you take that love you made,
and stick it into some someone else's heart,
pumping someone else's blood,
and walking arm in arm,
you hope it don't get harmed.

but even if it does,
you'll just do it all again.

and on the radio,
you hear november rain,
that solo's awful long,
but it's a good refrain,
you listen to it twice,

'cause the dj is asleep."

i think i've posted this song before, but some days i re-discover lyrics, take them in and they are re-defined. this song is today, tonight really. i played in the park tonight with the kids, got caught in the sprinklers, and got so wet we had to ring out our clothes. it was in that moment - when the choice was to get upset to have gotten wet, or to laugh and find the bliss in it at all that a lightbulb went on. you know those kinds of moments - the ones where you realize what it is you need in this life, and what matters to you in another person.

it is not something i would call a deal-breaker, but it is something i take notice of, and in a way it is something so important to me. people who can dance in the rain, who can get drenched and laugh about it, who can find the bliss in the mundane, in the accidental, in the could be catastrophe. and i like people who like getting wet.

that might sound silly, or it might sound dirty actually, but i know how i mean it and what it means to me.

Tuesday, January 1, 2008

i will never go, babe, hell no


"maybe i was in the dark
but whyd you have to steal my heart?"

duets are some of my favorite musical things, right up there with cover songs and soundtrack albums; two out of three ain't bad. sondre lerche and regina spektor take on a very classic, nostalgia-rich sound on this track from the dan in real life soundtrack. they sound like post-modern louis and ella, or something cole porter would stamp an approval on. this song is what the word "keen" was made to describe.


also, itunes selected regina to record their holiday song this season. to download for free go to the itunes store; it really is quite a lovely song.

Tuesday, September 18, 2007

my name is lucille and i know how you feel



"i live downstairs
i hear you taking out your garbage
i hear you loving your girlfriend
i hear you loving yourself too
i hear you turning your thoughts off
i turn mine off too
the only thing i hear is you."